What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 33
... ceased to appear to me as being actually possible to make , and from whose real appearance I expected a lively enough surprise , can be defined as follows ( I had drawn it as well as might be , under the guise of a bust , on the second ...
... ceased to appear to me as being actually possible to make , and from whose real appearance I expected a lively enough surprise , can be defined as follows ( I had drawn it as well as might be , under the guise of a bust , on the second ...
Pagina 70
André Breton. ceased to consider both the most suitable and the most likely to be brought to perfection ; there is no reason why we should renounce it . The other problem we are faced with is that of the social action we should pursue ...
André Breton. ceased to consider both the most suitable and the most likely to be brought to perfection ; there is no reason why we should renounce it . The other problem we are faced with is that of the social action we should pursue ...
Pagina 82
... ceased to be carried on in a continuous and enthusiastic manner . This experimenting has regained momentum under the master - impulse given to it by Sal- vador Dali , whose exceptional interior " boiling " has been for surrealism ...
... ceased to be carried on in a continuous and enthusiastic manner . This experimenting has regained momentum under the master - impulse given to it by Sal- vador Dali , whose exceptional interior " boiling " has been for surrealism ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole