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Pagina 52
manner that we had to consider the problem in the clearest possible light , with
the result that for some months we devoted our cntire attention to the means of
bringing about this change of front once and for all . If I do not today feel any ...
manner that we had to consider the problem in the clearest possible light , with
the result that for some months we devoted our cntire attention to the means of
bringing about this change of front once and for all . If I do not today feel any ...
Pagina 70
ceased to consider both the most suitable and the most likely to be brought to
perfection ; there is no reason why we should renounce it . The other problem we
are faced with is that of the social action we should pursue . We consider that this
...
ceased to consider both the most suitable and the most likely to be brought to
perfection ; there is no reason why we should renounce it . The other problem we
are faced with is that of the social action we should pursue . We consider that this
...
Pagina 73
I really cannot see , pace a few muddleheaded revolutionaries , why we should
abstain from taking up the problems of love , of dreaming , of madness , of art and
of religion , so long as we consider these problems from the same angle as they ...
I really cannot see , pace a few muddleheaded revolutionaries , why we should
abstain from taking up the problems of love , of dreaming , of madness , of art and
of religion , so long as we consider these problems from the same angle as they ...
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Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able activity allow already appear artistic attempt attention automatic beauty becoming beginning believe bring brought called cause ceased certain coming complete consider continue course critical definition desire discovery draw dream elements emotion essentially everything existence experiment expression eyes face fact feel follow forced future give given hand historic hope human idea images immediate impossible intellectual interest kind lack least less limits live longer looking Manifesto marvellous material matter means method mind moral movement never object offer once origin ourselves painting particular pass perfect perhaps Picasso plane poetic poetry possible present problem proper question reality reason recently remains rose seems seen sense sentence simply social surrealism surrealist taken things thought tion turn whole writing
Bibliografische gegevens
| Titel | What is Surrealism? Nummer 43 van Criterion miscellany |
| Auteur | André Breton |
| vertaald door | David Gascoyne |
| Editie | herdruk |
| Uitgever | Faber & Faber, limited, 1936 |
| Lengte | 90 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |