What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 62
... course necessarily hinders the stream of absolute continuity which pre- occupies us . But you should particularly distrust the prompting whisper . If through a fault ever so trifling there is a forewarning of silence to come , a fault ...
... course necessarily hinders the stream of absolute continuity which pre- occupies us . But you should particularly distrust the prompting whisper . If through a fault ever so trifling there is a forewarning of silence to come , a fault ...
Pagina 78
... course nullifies any benefit that might be obtained from this sort of operation . Indeed , the great value of these operations for surrealism lies in the possibility they have of yielding to the reader particular logical planes ...
... course nullifies any benefit that might be obtained from this sort of operation . Indeed , the great value of these operations for surrealism lies in the possibility they have of yielding to the reader particular logical planes ...
Pagina 86
... course , not only in art but in life . It has provoked new states of consciousness and over- thrown the walls beyond which it was immemorially sup- posed to be impossible to see ; it has — as is being more and more generally recognized ...
... course , not only in art but in life . It has provoked new states of consciousness and over- thrown the walls beyond which it was immemorially sup- posed to be impossible to see ; it has — as is being more and more generally recognized ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole