What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 56
... critics , has greatly influenced the course of ideas . It may be proper before passing rapidly - as I must - over this period , to apportion by far the handsomest share to Marcel Duchamp ( canvases and glass objects still to be seen in ...
... critics , has greatly influenced the course of ideas . It may be proper before passing rapidly - as I must - over this period , to apportion by far the handsomest share to Marcel Duchamp ( canvases and glass objects still to be seen in ...
Pagina 80
... critics who in the artistic domain are strangely disabled ; that they allow of a general reclassifica- tion of lyrical values ; and that they offer a key to go on opening indefinitely that box of never - ending drawers which is called ...
... critics who in the artistic domain are strangely disabled ; that they allow of a general reclassifica- tion of lyrical values ; and that they offer a key to go on opening indefinitely that box of never - ending drawers which is called ...
Pagina 89
... critics and experts , values based chiefly on technical perfection , per- sonal touch and the lastingness of the materials employed ) , this experiment can and should serve the cause of the liber- ation of the proletariat . It is only ...
... critics and experts , values based chiefly on technical perfection , per- sonal touch and the lastingness of the materials employed ) , this experiment can and should serve the cause of the liber- ation of the proletariat . It is only ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole