What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
Vanuit het boek
Resultaten 1-3 van 15
Pagina 32
... draw three constituent portions of a body in succession , the second not being aware of what the first has drawn , nor the me , third of what the first and second have 32 The Communicating Vessels.
... draw three constituent portions of a body in succession , the second not being aware of what the first has drawn , nor the me , third of what the first and second have 32 The Communicating Vessels.
Pagina 33
... drawn it as well as might be , under the guise of a bust , on the second section of the folded paper ) : an empty ... draw whatever emotion I please from its practical realization , and anyone who cares to may share it . At least it ...
... drawn it as well as might be , under the guise of a bust , on the second section of the folded paper ) : an empty ... draw whatever emotion I please from its practical realization , and anyone who cares to may share it . At least it ...
Pagina 86
... draw your atten- tion to the fact that its most recent advance is producing a fundamental crisis of the " object " . It is essentially upon the object that surrealism has thrown most light in recent years . Only the very close ...
... draw your atten- tion to the fact that its most recent advance is producing a fundamental crisis of the " object " . It is essentially upon the object that surrealism has thrown most light in recent years . Only the very close ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
2 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole