What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 59
... elements in the result obtained ; one may even say that it is entirely impossible to appreciate them at a first reading . To you who may be writing them , these elements are , in appearance , as strange as to anyone else , and you are ...
... elements in the result obtained ; one may even say that it is entirely impossible to appreciate them at a first reading . To you who may be writing them , these elements are , in appearance , as strange as to anyone else , and you are ...
Pagina 70
... end to , and for that purpose it was indispensable that we should proceed to liquidate cer- tain individualist elements amongst us , more or less openly hostile to one another , whose intentions did not , 70 What is Surrealism ?
... end to , and for that purpose it was indispensable that we should proceed to liquidate cer- tain individualist elements amongst us , more or less openly hostile to one another , whose intentions did not , 70 What is Surrealism ?
Pagina 78
... elements intended to set forth their picturesqueness rather than to make visible usefully how they had come about . Such distortion of course nullifies any benefit that might be obtained from this sort of operation . Indeed , the great ...
... elements intended to set forth their picturesqueness rather than to make visible usefully how they had come about . Such distortion of course nullifies any benefit that might be obtained from this sort of operation . Indeed , the great ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole