What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 63
... expression in surrealism . These con- siderations did not assume with me a relatively dogmatic turn until later ( Surrealism and Painting , 1928 ) .- I believe that the real interest of that book - there was no lack of people who were ...
... expression in surrealism . These con- siderations did not assume with me a relatively dogmatic turn until later ( Surrealism and Painting , 1928 ) .- I believe that the real interest of that book - there was no lack of people who were ...
Pagina 75
... expression in all its forms . Whoever says ' expression ' - says , to begin with , ' language ' . It is not therefore surprising that in the beginning surrealism should have confined itself almost entirely to the plane of language , nor ...
... expression in all its forms . Whoever says ' expression ' - says , to begin with , ' language ' . It is not therefore surprising that in the beginning surrealism should have confined itself almost entirely to the plane of language , nor ...
Pagina 88
... expression , a conflict sufficient to impassion to the highest degree the poetic drama in which we are the actors . It is of particular interest that the author of Les Paris Sont ouverts has taken the opportunity of expressing himself ...
... expression , a conflict sufficient to impassion to the highest degree the poetic drama in which we are the actors . It is of particular interest that the author of Les Paris Sont ouverts has taken the opportunity of expressing himself ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole