What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 13
... exterior world , or even simply that it can be taken at all . Certainly human sensibility can con- fer a quite unforeseen distinction upon even the most vulgar - looking object ; none the less , to make the magic power of figuration ...
... exterior world , or even simply that it can be taken at all . Certainly human sensibility can con- fer a quite unforeseen distinction upon even the most vulgar - looking object ; none the less , to make the magic power of figuration ...
Pagina 47
... exterior world without an immediate shudder . Everything we know about fascism shows that it is precisely the homologation of this state of affairs , aggravated to its furthest point by the lasting resignation that it seeks to obtain ...
... exterior world without an immediate shudder . Everything we know about fascism shows that it is precisely the homologation of this state of affairs , aggravated to its furthest point by the lasting resignation that it seeks to obtain ...
Pagina 84
... exterior world as unstable and transitory , or suspect ; and what is so disturbing is that he is able to make other people believe in the reality of his impressions . One aspect , for instance , of the multiple image occupying our ...
... exterior world as unstable and transitory , or suspect ; and what is so disturbing is that he is able to make other people believe in the reality of his impressions . One aspect , for instance , of the multiple image occupying our ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole