What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 28
... feel oneself gliding up towards the wild sky's trap . We are literally snatched up , and the fact is just as grave in the sight of this lion's head , large as anger , or of this mask with a 28 The First Dali Exhibition.
... feel oneself gliding up towards the wild sky's trap . We are literally snatched up , and the fact is just as grave in the sight of this lion's head , large as anger , or of this mask with a 28 The First Dali Exhibition.
Pagina 52
... feel any retrospective embarrassment in explaining this change , that is because it seems to me quite natural that surrealist thought , before coming to rest in dialectical materialism and insisting , as today , on the supremacy of ...
... feel any retrospective embarrassment in explaining this change , that is because it seems to me quite natural that surrealist thought , before coming to rest in dialectical materialism and insisting , as today , on the supremacy of ...
Pagina 80
... feel I must insist so much on the value of the two operations , it is not because they seem to me to constitute in themselves alone the intellectual panacea , but because for the trained observer they lend themselves less than any ...
... feel I must insist so much on the value of the two operations , it is not because they seem to me to constitute in themselves alone the intellectual panacea , but because for the trained observer they lend themselves less than any ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole