What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 12
André Breton. to me ! I do not refuse to follow wherever he would lead me . Only afterwards can I judge whether I was wise to take him as my guide and whether the adventure into which I have been drawn by him was worthy of me . Now I ...
André Breton. to me ! I do not refuse to follow wherever he would lead me . Only afterwards can I judge whether I was wise to take him as my guide and whether the adventure into which I have been drawn by him was worthy of me . Now I ...
Pagina 16
... follow one another uninterruptedly . Of course , our heroic deter- mination systematically to let go our prey in favour of its shadow exposes us far less to the risk of finding that this shadow , this second shadow , this third shadow ...
... follow one another uninterruptedly . Of course , our heroic deter- mination systematically to let go our prey in favour of its shadow exposes us far less to the risk of finding that this shadow , this second shadow , this third shadow ...
Pagina 62
... follow , since it doubtless comes in for a share of our conscious activity and so the other sentences , if it is conceded that the writing of the first sentence must have involved even a minimum of consciousness . But that should in the ...
... follow , since it doubtless comes in for a share of our conscious activity and so the other sentences , if it is conceded that the writing of the first sentence must have involved even a minimum of consciousness . But that should in the ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole