What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 56
... force has neverthe- less been decisive and , by the general consent of present- day critics , has greatly influenced the course of ideas . It may be proper before passing rapidly - as I must - over this period , to apportion by far the ...
... force has neverthe- less been decisive and , by the general consent of present- day critics , has greatly influenced the course of ideas . It may be proper before passing rapidly - as I must - over this period , to apportion by far the ...
Pagina 64
... forces capable of increasing those on the surface , or of success- fully contending with them , then it is all in our interest to canalize them , to canalize them first in order to submit them later , if necessary , to the control of ...
... forces capable of increasing those on the surface , or of success- fully contending with them , then it is all in our interest to canalize them , to canalize them first in order to submit them later , if necessary , to the control of ...
Pagina 65
... force . The freedom it possesses is a perfect freedom in the sense that it recognizes no limitations exterior to itself . As it was said on the cover of the first issue of La Révolution Surréaliste , " it will be necessary to draw up a ...
... force . The freedom it possesses is a perfect freedom in the sense that it recognizes no limitations exterior to itself . As it was said on the cover of the first issue of La Révolution Surréaliste , " it will be necessary to draw up a ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole