What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 45
... forced to live . But our refusal did not stop there ; it was insatiable and knew no bounds . Apart from the incredible stupidity of the arguments which attempted to legitimize our participation in an enterprise such as the war , whose ...
... forced to live . But our refusal did not stop there ; it was insatiable and knew no bounds . Apart from the incredible stupidity of the arguments which attempted to legitimize our participation in an enterprise such as the war , whose ...
Pagina 51
... forced to ask itself what were its proper resources and to determine their limits ; it was forced to adopt a precise attitude , exterior to itself , in order to con- tinue to face whatever exceeded these limits . Surrealist activity at ...
... forced to ask itself what were its proper resources and to determine their limits ; it was forced to adopt a precise attitude , exterior to itself , in order to con- tinue to face whatever exceeded these limits . Surrealist activity at ...
Pagina 89
... forced to come to a halt on the very threshold of that organization . If we are agreed that such an activity has above all tended to detach the intel- lectual creator from the illusions with which bourgeois society has sought to ...
... forced to come to a halt on the very threshold of that organization . If we are agreed that such an activity has above all tended to detach the intel- lectual creator from the illusions with which bourgeois society has sought to ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole