What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 12
... give some semblance of eter- nal morality to the illustration of a fable as ridiculous as Death and the Woodcutter . I simply mean that genius has no- thing to gain by following these beaten tracks and round- about paths . There is ...
... give some semblance of eter- nal morality to the illustration of a fable as ridiculous as Death and the Woodcutter . I simply mean that genius has no- thing to gain by following these beaten tracks and round- about paths . There is ...
Pagina 22
... give in . Braque already appeared to be one of them . I have not the same reasons for attacking him , and never shall have , and I shall not forget that for many 1 To speak of God , to think of God is in every respect to give him his ...
... give in . Braque already appeared to be one of them . I have not the same reasons for attacking him , and never shall have , and I shall not forget that for many 1 To speak of God , to think of God is in every respect to give him his ...
Pagina 86
... give one a proper grasp of the experiments that surrealism is engaged in now . In order to continue to understand the movement , it is indispensable to focus one's attention on this point . I must crave your indulgence for speaking so ...
... give one a proper grasp of the experiments that surrealism is engaged in now . In order to continue to understand the movement , it is indispensable to focus one's attention on this point . I must crave your indulgence for speaking so ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole