What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 36
... given to certain almost usual objects , such , for instance , as the gold - leaf electroscope ( the two gold leaves are completely joined together in the middle of a cage , a rubbed stick is put near them , the leaves spring apart ) ...
... given to certain almost usual objects , such , for instance , as the gold - leaf electroscope ( the two gold leaves are completely joined together in the middle of a cage , a rubbed stick is put near them , the leaves spring apart ) ...
Pagina 63
... given expression to sentiments shared with friends , present and former - rests only subordinately on the formula above given . It is rather confirmatory of a turn of thought which , for good or ill , is peculiarly distinctive of our ...
... given expression to sentiments shared with friends , present and former - rests only subordinately on the formula above given . It is rather confirmatory of a turn of thought which , for good or ill , is peculiarly distinctive of our ...
Pagina 86
... given rise ( the oneiric object , the object functioning symbolically , the real and virtual object , the moving but silent object , the phan- tom object , the discovered object , etc. ) , can give one a proper grasp of the experiments ...
... given rise ( the oneiric object , the object functioning symbolically , the real and virtual object , the moving but silent object , the phan- tom object , the discovered object , etc. ) , can give one a proper grasp of the experiments ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole