What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 58
André Breton. } stood that I was dealing with an image of great rarity . Instantly the idea came to me to use it as ... images of a quality such as we should never have been able to obtain in the normal way of writing , a very special ...
André Breton. } stood that I was dealing with an image of great rarity . Instantly the idea came to me to use it as ... images of a quality such as we should never have been able to obtain in the normal way of writing , a very special ...
Pagina 71
... images of human catastrophes are perhaps nothing but images after all . There is a hint in all this of a belief that there exists a cer- tain spiritual plane on which life and death , the real and the imaginary , the past and the future ...
... images of human catastrophes are perhaps nothing but images after all . There is a hint in all this of a belief that there exists a cer- tain spiritual plane on which life and death , the real and the imaginary , the past and the future ...
Pagina 84
... images of the exterior world as unstable and transitory , or suspect ; and what is so disturbing is that he is able to make other people believe in the reality of his impressions . One aspect , for instance , of the multiple image ...
... images of the exterior world as unstable and transitory , or suspect ; and what is so disturbing is that he is able to make other people believe in the reality of his impressions . One aspect , for instance , of the multiple image ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole