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Pagina 24
... between the immediate objects , but only the immediate objects , of our
attention . With what brighter star , beneath what more luminous dew could ever
be woven the canvas stretched between this blue tobacco packet and this empty
glass ?
... between the immediate objects , but only the immediate objects , of our
attention . With what brighter star , beneath what more luminous dew could ever
be woven the canvas stretched between this blue tobacco packet and this empty
glass ?
Pagina 70
... a supposedly Marxist control to bear on the immediate aspect of such
manifestations , this control cannot be envisaged in principle . And how ill -
boding does this distrust seem , coming as it does from men who declare
themselves Marxists ...
... a supposedly Marxist control to bear on the immediate aspect of such
manifestations , this control cannot be envisaged in principle . And how ill -
boding does this distrust seem , coming as it does from men who declare
themselves Marxists ...
Pagina 83
t critical method , which has immediately shown itself capable of being applied
with equal success to painting , poetry , the cinema , to the ... In order to cut short
all possible misunderstandings , it should perhaps be said : " immediate ” reality .
t critical method , which has immediately shown itself capable of being applied
with equal success to painting , poetry , the cinema , to the ... In order to cut short
all possible misunderstandings , it should perhaps be said : " immediate ” reality .
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Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able activity allow already appear artistic attempt attention automatic beauty becoming beginning believe bring brought called cause ceased certain coming complete consider continue course critical definition desire discovery draw dream elements emotion essentially everything existence experiment expression eyes face fact feel follow forced future give given hand historic hope human idea images immediate impossible intellectual interest kind lack least less limits live longer looking Manifesto marvellous material matter means method mind moral movement never object offer once origin ourselves painting particular pass perfect perhaps Picasso plane poetic poetry possible present problem proper question reality reason recently remains rose seems seen sense sentence simply social surrealism surrealist taken things thought tion turn whole writing
Bibliografische gegevens
| Titel | What is Surrealism? Nummer 43 van Criterion miscellany |
| Auteur | André Breton |
| vertaald door | David Gascoyne |
| Editie | herdruk |
| Uitgever | Faber & Faber, limited, 1936 |
| Lengte | 90 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |