What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 24
... immediate objects , but only the immediate objects , of our attention . With what brighter star , beneath what more luminous dew could ever be woven the canvas stretched between this blue tobacco packet and this empty glass ? It has a ...
... immediate objects , but only the immediate objects , of our attention . With what brighter star , beneath what more luminous dew could ever be woven the canvas stretched between this blue tobacco packet and this empty glass ? It has a ...
Pagina 70
... immediate aspect of such manifestations , this control cannot be envisaged in principle . And how ill - boding does " this distrust seem , coming as it does from men who declare themselves Marxists , that is to say possessed not only of ...
... immediate aspect of such manifestations , this control cannot be envisaged in principle . And how ill - boding does " this distrust seem , coming as it does from men who declare themselves Marxists , that is to say possessed not only of ...
Pagina 83
André Breton. : critical method , which has immediately shown itself cap- able of being applied with equal success to painting ... immediate " reality . " Paranoia uses the external world in order to assert its dominating idea and has the ...
André Breton. : critical method , which has immediately shown itself cap- able of being applied with equal success to painting ... immediate " reality . " Paranoia uses the external world in order to assert its dominating idea and has the ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole