What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 12
... impossible to give some semblance of eter- nal morality to the illustration of a fable as ridiculous as Death and the Woodcutter . I simply mean that genius has no- thing to gain by following these beaten tracks and round- about paths ...
... impossible to give some semblance of eter- nal morality to the illustration of a fable as ridiculous as Death and the Woodcutter . I simply mean that genius has no- thing to gain by following these beaten tracks and round- about paths ...
Pagina 23
... impossible for us to make a higher degree of abstraction of the whole of reality than Braque has done by lending himself to this last falsehood of flowers . " Reality " is the dandelion blown by the woman who appears on the front page ...
... impossible for us to make a higher degree of abstraction of the whole of reality than Braque has done by lending himself to this last falsehood of flowers . " Reality " is the dandelion blown by the woman who appears on the front page ...
Pagina 86
... impossible to see ; it has — as is being more and more generally recognized - modified the sensibility , and taken a decisive step towards the unification of the person- ality , which it found threatened by an ever more profound ...
... impossible to see ; it has — as is being more and more generally recognized - modified the sensibility , and taken a decisive step towards the unification of the person- ality , which it found threatened by an ever more profound ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole