What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 33
... interest of such a conception or , even more so , the utilitarian interest of such a realization , is open to doubt , how could any uninformed person re- proach me with having had or simply with perceiving the reasons which made me ...
... interest of such a conception or , even more so , the utilitarian interest of such a realization , is open to doubt , how could any uninformed person re- proach me with having had or simply with perceiving the reasons which made me ...
Pagina 62
... interest in the surrealist exercise . Punctuation of course necessarily hinders the stream of absolute continuity which pre- occupies us . But you should particularly distrust the prompting whisper . If through a fault ever so trifling ...
... interest in the surrealist exercise . Punctuation of course necessarily hinders the stream of absolute continuity which pre- occupies us . But you should particularly distrust the prompting whisper . If through a fault ever so trifling ...
Pagina 63
... interest of that book - there was no lack of people who were good enough to concede interest , for which no particular credit is due to me because I have no more than given expression to sentiments shared with friends , present and ...
... interest of that book - there was no lack of people who were good enough to concede interest , for which no particular credit is due to me because I have no more than given expression to sentiments shared with friends , present and ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole