What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 39
... kind of beauty that should be served in our time , would lose its whole meaning for me if it were imagined as being in movement instead of in the exact expiration of this movement . In my opinion , there can be no beauty - convulsive ...
... kind of beauty that should be served in our time , would lose its whole meaning for me if it were imagined as being in movement instead of in the exact expiration of this movement . In my opinion , there can be no beauty - convulsive ...
Pagina 42
... kind of beauty will only be able to arise from the poignant emotion caused by the thing revealed , from the integral certainty brought about by the arrival of a solution which could not , on account of its very nature , have reached us ...
... kind of beauty will only be able to arise from the poignant emotion caused by the thing revealed , from the integral certainty brought about by the arrival of a solution which could not , on account of its very nature , have reached us ...
Pagina 70
... kind of counter - attack . Let me recall the fact that its very definition holds that it must escape , in its written manifestations , or any others , from all control exercised by the reason . Apart from the puerility of wishing to ...
... kind of counter - attack . Let me recall the fact that its very definition holds that it must escape , in its written manifestations , or any others , from all control exercised by the reason . Apart from the puerility of wishing to ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole