What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 15
... later on , for what must have animated Picasso towards the end of the year 1909. Where was he then ? How did he live ? How could that ridiculous word " cubism " unveil for me the prodigi- ous meaning of the discovery that , to my mind ...
... later on , for what must have animated Picasso towards the end of the year 1909. Where was he then ? How did he live ? How could that ridiculous word " cubism " unveil for me the prodigi- ous meaning of the discovery that , to my mind ...
Pagina 44
... later , aged twenty - four ) , the author of the Chants de Maldoror and of Poésies , Isidore Ducasse , better known by the name of Comte de Lautréamont , whose thought has been of the very greatest help and en- couragement to my friends ...
... later , aged twenty - four ) , the author of the Chants de Maldoror and of Poésies , Isidore Ducasse , better known by the name of Comte de Lautréamont , whose thought has been of the very greatest help and en- couragement to my friends ...
Pagina 64
... later , if necessary , to the control of the reason . The analysts themselves have nothing to lose by such a pro- ceeding . But it should be observed that there are no means designed a priori for the bringing about of such an enter ...
... later , if necessary , to the control of the reason . The analysts themselves have nothing to lose by such a pro- ceeding . But it should be observed that there are no means designed a priori for the bringing about of such an enter ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole