What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 31
... less find our- selves free to distinguish from these beings a certain num- ber of poetic or artistic constructions which , from the out- side at least , appear to escape from the natural conditions of existence of all other objects . To ...
... less find our- selves free to distinguish from these beings a certain num- ber of poetic or artistic constructions which , from the out- side at least , appear to escape from the natural conditions of existence of all other objects . To ...
Pagina 36
... less wide scope to interpretation , as one might have expected , than objects less systematically determined in the same way . The voluntary incorporation of the latent con- tent - concealed in advance - in the manifest content , has ...
... less wide scope to interpretation , as one might have expected , than objects less systematically determined in the same way . The voluntary incorporation of the latent con- tent - concealed in advance - in the manifest content , has ...
Pagina 70
... less afford to ignore this action since , I repeat , we hold the liberation of man to be the sine qua non condition of the liberation of the mind , and we can expect this liberation of man to result only from the proletarian Revolution ...
... less afford to ignore this action since , I repeat , we hold the liberation of man to be the sine qua non condition of the liberation of the mind , and we can expect this liberation of man to result only from the proletarian Revolution ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole