What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 42
... material it would be made . I then happened to discover this object already made , unique , no doubt , of its kind ; there could be no mistaking it , even though it differed in all points from what I had planned . Its extreme simplicity ...
... material it would be made . I then happened to discover this object already made , unique , no doubt , of its kind ; there could be no mistaking it , even though it differed in all points from what I had planned . Its extreme simplicity ...
Pagina 52
... to consider these first results as being simply so much material , starting from which the problem of knowledge inevitably arose again under quite a new form . As a living movement , that is to say a 52 What is Surrealism ?
... to consider these first results as being simply so much material , starting from which the problem of knowledge inevitably arose again under quite a new form . As a living movement , that is to say a 52 What is Surrealism ?
Pagina 62
... material to be brought to you . Let your state of mind be as passive and receptive as possible . Forget your genius , talents , as well as the genius and talents of others . Repeat to yourself that literature is pretty well the sorriest ...
... material to be brought to you . Let your state of mind be as passive and receptive as possible . Forget your genius , talents , as well as the genius and talents of others . Repeat to yourself that literature is pretty well the sorriest ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole