What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 33
... never- theless was the cause of the object's existence , provided the word Silence ( cil : lash - anse : handle ) , which , it seemed to should have served it as accompaniment , or even designation . Here , it would seem , we have a ...
... never- theless was the cause of the object's existence , provided the word Silence ( cil : lash - anse : handle ) , which , it seemed to should have served it as accompaniment , or even designation . Here , it would seem , we have a ...
Pagina 37
... never been able to help relating this sensation to erotic pleasure and can discover between them only differences of degree . Although I have never been able to exhaust the constituent elements of this disturbance by analysis - it must ...
... never been able to help relating this sensation to erotic pleasure and can discover between them only differences of degree . Although I have never been able to exhaust the constituent elements of this disturbance by analysis - it must ...
Pagina 86
... Never has so precise a common will united us . I think I can most clearly express this will by saying that today it applies itself to " bring about the state where the distinction between the subjective and the objective loses its ...
... Never has so precise a common will united us . I think I can most clearly express this will by saying that today it applies itself to " bring about the state where the distinction between the subjective and the objective loses its ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole