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Pagina 35
efforts , the object was not turning out at all well . While I was looking at it slightly
sideways , it suddenly seemed to me that the sketch I had made of it was about to
represent something terribly different . The handle , in particular , had an ...
efforts , the object was not turning out at all well . While I was looking at it slightly
sideways , it suddenly seemed to me that the sketch I had made of it was about to
represent something terribly different . The handle , in particular , had an ...
Pagina 42
Similarly , I once desired to have a very special object constructed ,
corresponding to some poetic fantasy . I more or less foresaw what form this
object would take and of what material it would be made . I then happened to
discover this object ...
Similarly , I once desired to have a very special object constructed ,
corresponding to some poetic fantasy . I more or less foresaw what form this
object would take and of what material it would be made . I then happened to
discover this object ...
Pagina 86
... it fertilizes as it flows are those of surprise itself , I should like to draw your
attention to the fact that its most recent advance is producing a fundamental crisis
of the " object " . It is essentially upon the object that surrealism has thrown most
light ...
... it fertilizes as it flows are those of surprise itself , I should like to draw your
attention to the fact that its most recent advance is producing a fundamental crisis
of the " object " . It is essentially upon the object that surrealism has thrown most
light ...
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Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able activity allow already appear artistic attempt attention automatic beauty becoming beginning believe bring brought called cause ceased certain coming complete consider continue course critical definition desire discovery draw dream elements emotion essentially everything existence experiment expression eyes face fact feel follow forced future give given hand historic hope human idea images immediate impossible intellectual interest kind lack least less limits live longer looking Manifesto marvellous material matter means method mind moral movement never object offer once origin ourselves painting particular pass perfect perhaps Picasso plane poetic poetry possible present problem proper question reality reason recently remains rose seems seen sense sentence simply social surrealism surrealist taken things thought tion turn whole writing
Bibliografische gegevens
| Titel | What is Surrealism? Nummer 43 van Criterion miscellany |
| Auteur | André Breton |
| vertaald door | David Gascoyne |
| Editie | herdruk |
| Uitgever | Faber & Faber, limited, 1936 |
| Lengte | 90 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |