What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 33
... object , which had not since then ceased to appear to me as being actually possible to make , and from whose real appearance I expected a lively enough surprise , can be defined as follows ( I had drawn it as well as might be , under ...
... object , which had not since then ceased to appear to me as being actually possible to make , and from whose real appearance I expected a lively enough surprise , can be defined as follows ( I had drawn it as well as might be , under ...
Pagina 42
... object would take and of what material it would be made . I then happened to discover this object already made , unique , no doubt , of its kind ; there could be no mistaking it , even though it differed in all points from what I had ...
... object would take and of what material it would be made . I then happened to discover this object already made , unique , no doubt , of its kind ; there could be no mistaking it , even though it differed in all points from what I had ...
Pagina 86
... object " . It is essentially upon the object that surrealism has thrown most light in recent years . Only the very close examination of the many recent specu- lations to which the object has publicly given rise ( the oneiric object , the ...
... object " . It is essentially upon the object that surrealism has thrown most light in recent years . Only the very close examination of the many recent specu- lations to which the object has publicly given rise ( the oneiric object , the ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole