What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 12
... offer me . I left ador- able supplicants behind without remorse . There were too many scenes all at once ; I had not the heart to speculate upon them . As I passed by in front of all those religious compositions and pastoral allegories ...
... offer me . I left ador- able supplicants behind without remorse . There were too many scenes all at once ; I had not the heart to speculate upon them . As I passed by in front of all those religious compositions and pastoral allegories ...
Pagina 23
... offering a bouquet . But it is a lot to ask of the bouquet that it should reveal the hand which offers it and which is trembling . Braque's hand has trembled . Words , images , contacts are cruel . I am not writing what I thought I was ...
... offering a bouquet . But it is a lot to ask of the bouquet that it should reveal the hand which offers it and which is trembling . Braque's hand has trembled . Words , images , contacts are cruel . I am not writing what I thought I was ...
Pagina 52
... offer a certain particularity in that , contrary to certain poetic influences undergone in the same way , and accommodated to those of the French materialists of the eighteenth century , they yielded a residuum of practical action . To ...
... offer a certain particularity in that , contrary to certain poetic influences undergone in the same way , and accommodated to those of the French materialists of the eighteenth century , they yielded a residuum of practical action . To ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole