What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 22
... once more I saw the caterpillar but did not see the tree . I passed between the roots of the tree without being aware of it , as though along one of the outer roads of Ceylon . Besides , one does not describe a tree , one does not ...
... once more I saw the caterpillar but did not see the tree . I passed between the roots of the tree without being aware of it , as though along one of the outer roads of Ceylon . Besides , one does not describe a tree , one does not ...
Pagina 50
... once , for that would be to sup- pose that they are less apart from one another than they are ( and I believe that those who pretend they are acting on both simultaneously are either deceiving us or are a prey to a disquieting illusion ) ...
... once , for that would be to sup- pose that they are less apart from one another than they are ( and I believe that those who pretend they are acting on both simultaneously are either deceiving us or are a prey to a disquieting illusion ) ...
Pagina 52
... once and for all . If I do not today feel any retrospective embarrassment in explaining this change , that is because it seems to me quite natural that surrealist thought , before coming to rest in dialectical materialism and insisting ...
... once and for all . If I do not today feel any retrospective embarrassment in explaining this change , that is because it seems to me quite natural that surrealist thought , before coming to rest in dialectical materialism and insisting ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole