What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 49
... origins to the present day , which I am about to attempt to retrace , shows that our unceasing wish , growing more and more urgent from day to day , has been at all costs to avoid considering a system of thought as a refuge , to pursue ...
... origins to the present day , which I am about to attempt to retrace , shows that our unceasing wish , growing more and more urgent from day to day , has been at all costs to avoid considering a system of thought as a refuge , to pursue ...
Pagina 62
... origin seems suspect you should place a letter , any letter , I for example , always the letter l , and restore the arbitrary flux by making that letter the initial of the word to follow . " 62 X I shall pass over the more or less ...
... origin seems suspect you should place a letter , any letter , I for example , always the letter l , and restore the arbitrary flux by making that letter the initial of the word to follow . " 62 X I shall pass over the more or less ...
Pagina 78
... origin of the voice which it is open to each one of us to hear , and which in the most sin- gular fashion talks to us of something different from what we believe we are thinking , sometimes becoming solemn when we are most light ...
... origin of the voice which it is open to each one of us to hear , and which in the most sin- gular fashion talks to us of something different from what we believe we are thinking , sometimes becoming solemn when we are most light ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole