What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 49
... ourselves that the results of these investigations would be capable of facing the breath of the street . At the limits , for many years past - or more exactly , since the con- clusion of what one may term the purely intuitive epoch of ...
... ourselves that the results of these investigations would be capable of facing the breath of the street . At the limits , for many years past - or more exactly , since the con- clusion of what one may term the purely intuitive epoch of ...
Pagina 70
... ourselves to the poetry and art of propaganda . Surrealism , which has been the object of brutal and repeated summonses in this respect , now feels the need of making some kind of counter - attack . Let me recall the fact that its very ...
... ourselves to the poetry and art of propaganda . Surrealism , which has been the object of brutal and repeated summonses in this respect , now feels the need of making some kind of counter - attack . Let me recall the fact that its very ...
Pagina 80
... ourselves to be leading will no longer be treated as cavalierly as now . It will then seem surprising that , having been so close to truth as we are , we in general should have taken care to provide ourselves with some literary alibi or ...
... ourselves to be leading will no longer be treated as cavalierly as now . It will then seem surprising that , having been so close to truth as we are , we in general should have taken care to provide ourselves with some literary alibi or ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole