What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
Vanuit het boek
Resultaten 1-3 van 16
Pagina 52
... pass , in a few years , through the whole historic development of modern thought . It came normally to Marx through Hegel , just as it came normally to Hegel through Berkeley and Hume . These latter influences offer a certain ...
... pass , in a few years , through the whole historic development of modern thought . It came normally to Marx through Hegel , just as it came normally to Hegel through Berkeley and Hume . These latter influences offer a certain ...
Pagina 62
... you should place a letter , any letter , I for example , always the letter l , and restore the arbitrary flux by making that letter the initial of the word to follow . " 62 X I shall pass over the more or less correlated.
... you should place a letter , any letter , I for example , always the letter l , and restore the arbitrary flux by making that letter the initial of the word to follow . " 62 X I shall pass over the more or less correlated.
Pagina 89
... pass on to their own proper develop- ment . The positive lesson of this negating experiment , that is to say its transfusion among the proletariat , constitutes the only valid revolutionary poetic propaganda . " Surrealism could not ask ...
... pass on to their own proper develop- ment . The positive lesson of this negating experiment , that is to say its transfusion among the proletariat , constitutes the only valid revolutionary poetic propaganda . " Surrealism could not ask ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
2 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole