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Pagina 16
We leave behind the great grey and beige " scaffoldings " of 1912 , the most
perfect example of which is undoubtedly the fabulously elegant Man with a
Clarinet , upon whose " aside " existence we shall never cease to meditate . The
supposed ...
We leave behind the great grey and beige " scaffoldings " of 1912 , the most
perfect example of which is undoubtedly the fabulously elegant Man with a
Clarinet , upon whose " aside " existence we shall never cease to meditate . The
supposed ...
Pagina 41
beauty upon any voluntary process of making perfect to which man could devote
himself . On the other hand , I shall not cease to uphold that spontaneity in
creation and in action of which , in the same manner and by unbettered definition
, the ...
beauty upon any voluntary process of making perfect to which man could devote
himself . On the other hand , I shall not cease to uphold that spontaneity in
creation and in action of which , in the same manner and by unbettered definition
, the ...
Pagina 54
... in its cruelty of disposition , to have sacrificed nearly all the blood first vivifying it
, it is heartening to be able to point out that it has never ceased to avail itself of
the perfect teamwork of René Crevel , Paul Eluard , Max Ernst , Benjamin Péret ...
... in its cruelty of disposition , to have sacrificed nearly all the blood first vivifying it
, it is heartening to be able to point out that it has never ceased to avail itself of
the perfect teamwork of René Crevel , Paul Eluard , Max Ernst , Benjamin Péret ...
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Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
2 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
able activity allow already appear artistic attempt attention automatic beauty becoming beginning believe bring brought called cause ceased certain coming complete consider continue course critical definition desire discovery draw dream elements emotion essentially everything existence experiment expression eyes face fact feel follow forced future give given hand historic hope human idea images immediate impossible intellectual interest kind lack least less limits live longer looking Manifesto marvellous material matter means method mind moral movement never object offer once origin ourselves painting particular pass perfect perhaps Picasso plane poetic poetry possible present problem proper question reality reason recently remains rose seems seen sense sentence simply social surrealism surrealist taken things thought tion turn whole writing
Bibliografische gegevens
| Titel | What is Surrealism? Nummer 43 van Criterion miscellany |
| Auteur | André Breton |
| vertaald door | David Gascoyne |
| Editie | herdruk |
| Uitgever | Faber & Faber, limited, 1936 |
| Lengte | 90 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |