What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 18
... play . This accounts for the difficulty of obtaining a strict and objective scale of plastic values at a time when a total re- vision of all values is about to be undertaken , and when clairvoyance obliges us to recognize only those ...
... play . This accounts for the difficulty of obtaining a strict and objective scale of plastic values at a time when a total re- vision of all values is about to be undertaken , and when clairvoyance obliges us to recognize only those ...
Pagina 41
... play infinite varia- tions on these quite mineral - looking forms , and to subject them to the same mental process as that which takes place when one recognizes a nest or a bunch of grapes that have been taken out of a petrifactive ...
... play infinite varia- tions on these quite mineral - looking forms , and to subject them to the same mental process as that which takes place when one recognizes a nest or a bunch of grapes that have been taken out of a petrifactive ...
Pagina 66
... not put the wild animals to sleep in order to play the tamer , but , the cages wide open , the keys thrown to the winds , he journeys forth , a traveller who ށ thinks not of himself , but of the voyage 66 What is Surrealism ?
... not put the wild animals to sleep in order to play the tamer , but , the cages wide open , the keys thrown to the winds , he journeys forth , a traveller who ށ thinks not of himself , but of the voyage 66 What is Surrealism ?
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole