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Pagina 58
... patients , namely a monologue poured out as rapidly as possible , over which
the subject's critical faculty has no control — the subject himself throwing
reticence to the winds — and which as much as possible represents spoken
thought .
... patients , namely a monologue poured out as rapidly as possible , over which
the subject's critical faculty has no control — the subject himself throwing
reticence to the winds — and which as much as possible represents spoken
thought .
Pagina 80
Provided the products of psychic activity which dreaming and automatic writing
are , are as much as possible distracted from the will to express , as much as
possible lightened of ideas of responsibility ever ready to act as brakes , and as
much ...
Provided the products of psychic activity which dreaming and automatic writing
are , are as much as possible distracted from the will to express , as much as
possible lightened of ideas of responsibility ever ready to act as brakes , and as
much ...
Pagina 83
Visible ( 1930 ) : “ I believe the moment is at hand when , by a paranoiac and
active advance of the mind , it will be possible ( simultaneously with automatism
and other passive states ) to systematize confusion and thus to help to discredit ...
Visible ( 1930 ) : “ I believe the moment is at hand when , by a paranoiac and
active advance of the mind , it will be possible ( simultaneously with automatism
and other passive states ) to systematize confusion and thus to help to discredit ...
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Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
2 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
able activity allow already appear artistic attempt attention automatic beauty becoming beginning believe bring brought called cause ceased certain coming complete consider continue course critical definition desire discovery draw dream elements emotion essentially everything existence experiment expression eyes face fact feel follow forced future give given hand historic hope human idea images immediate impossible intellectual interest kind lack least less limits live longer looking Manifesto marvellous material matter means method mind moral movement never object offer once origin ourselves painting particular pass perfect perhaps Picasso plane poetic poetry possible present problem proper question reality reason recently remains rose seems seen sense sentence simply social surrealism surrealist taken things thought tion turn whole writing
Bibliografische gegevens
| Titel | What is Surrealism? Nummer 43 van Criterion miscellany |
| Auteur | André Breton |
| vertaald door | David Gascoyne |
| Editie | herdruk |
| Uitgever | Faber & Faber, limited, 1936 |
| Lengte | 90 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |