What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 58
... possible , over which the subject's critical faculty has no control - the subject himself throwing reticence to the winds and which as much as possible represents spoken thought . It seemed and still seems to me that the speed of ...
... possible , over which the subject's critical faculty has no control - the subject himself throwing reticence to the winds and which as much as possible represents spoken thought . It seemed and still seems to me that the speed of ...
Pagina 80
... possible distracted from the will to express , as much as possible lightened of ideas of responsi- bility ever ready to act as brakes , and as much as possible kept independent of all that is not the passive life of the intelli- gence ...
... possible distracted from the will to express , as much as possible lightened of ideas of responsi- bility ever ready to act as brakes , and as much as possible kept independent of all that is not the passive life of the intelli- gence ...
Pagina 83
... possible ( simul- taneously with automatism and other passive states ) to systematize confusion and thus to help to discredit com- pletely the world of reality . " In order to cut short all possible misunderstandings , it should perhaps ...
... possible ( simul- taneously with automatism and other passive states ) to systematize confusion and thus to help to discredit com- pletely the world of reality . " In order to cut short all possible misunderstandings , it should perhaps ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole