What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 50
... reasons of simplification and amplification destined to influence in my mind the future of this defini- tion ) does so in terms that suggest that I ... reason 1 but also disengaged from " all æsthetic or moral 50 What is Surrealism ?
... reasons of simplification and amplification destined to influence in my mind the future of this defini- tion ) does so in terms that suggest that I ... reason 1 but also disengaged from " all æsthetic or moral 50 What is Surrealism ?
Pagina 70
... reason why we should renounce it . The other problem we are faced with is that of the social action we should pursue . We con- sider that this action has its own method in dialectical materialism , and we can all the less afford to ...
... reason why we should renounce it . The other problem we are faced with is that of the social action we should pursue . We con- sider that this action has its own method in dialectical materialism , and we can all the less afford to ...
Pagina 80
... reasons of self - preservation on those occa- sions in the dark when he runs into the externally closed doors of the ' beyond ' , of reality , of reason , of genius , and of love . The day will be when these palpable evidences of an ...
... reasons of self - preservation on those occa- sions in the dark when he runs into the externally closed doors of the ' beyond ' , of reality , of reason , of genius , and of love . The day will be when these palpable evidences of an ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole