What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 12
... sense of the part I was playing . The enchantments V that the street outside had to offer me were a thousand times more real . It is not my fault if I cannot help feeling a profound lassitude when confronted by the interminable march ...
... sense of the part I was playing . The enchantments V that the street outside had to offer me were a thousand times more real . It is not my fault if I cannot help feeling a profound lassitude when confronted by the interminable march ...
Pagina 41
... sense of the material workings of the individuality - attains its reality pre - eminently in the crystal , it is in corals , to my mind , ✓ that it ideally loses this all - powerful reality , so little do I reintegrate them , as one ...
... sense of the material workings of the individuality - attains its reality pre - eminently in the crystal , it is in corals , to my mind , ✓ that it ideally loses this all - powerful reality , so little do I reintegrate them , as one ...
Pagina 42
... sense of the term , must conform , I think it is both necessary and sufficient to add a third in order to do away with all misunderstandings . Such a kind of beauty will only be able to arise from the poignant emotion caused by the ...
... sense of the term , must conform , I think it is both necessary and sufficient to add a third in order to do away with all misunderstandings . Such a kind of beauty will only be able to arise from the poignant emotion caused by the ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole