What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 22
... simply the out- come of this bet . The stake ( my life ) has been so ridiculous that I am conscious of having won to the full . Everything that is doddering , squint - eyed , infamous , sullying and grotesque is contained for me in this ...
... simply the out- come of this bet . The stake ( my life ) has been so ridiculous that I am conscious of having won to the full . Everything that is doddering , squint - eyed , infamous , sullying and grotesque is contained for me in this ...
Pagina 33
... simply with perceiving the reasons which made me bring it forward ? In this case it is simply a question of a poetic object , which is or is not of value on the plane of poetic images , and nothing else . The whole question comes down ...
... simply with perceiving the reasons which made me bring it forward ? In this case it is simply a question of a poetic object , which is or is not of value on the plane of poetic images , and nothing else . The whole question comes down ...
Pagina 52
... how it came to consider these first results as being simply so much material , starting from which the problem of knowledge inevitably arose again under quite a new form . As a living movement , that is to say a 52 What is Surrealism ?
... how it came to consider these first results as being simply so much material , starting from which the problem of knowledge inevitably arose again under quite a new form . As a living movement , that is to say a 52 What is Surrealism ?
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole