What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 45
André Breton. and social cataclysm whose final episode was to be the atrocious crushing of the Paris Commune ; the last ... social obligations that continually and from all sides weigh down upon man and crush him . Intellectually , it was ...
André Breton. and social cataclysm whose final episode was to be the atrocious crushing of the Paris Commune ; the last ... social obligations that continually and from all sides weigh down upon man and crush him . Intellectually , it was ...
Pagina 68
... social aspect of the problem round about 1925 ( though not formally sanctioned until 1930 ) , surrealism began to find itself a prey to characteristic wranglings . These wranglings account very clearly for the expulsion- orders and ...
... social aspect of the problem round about 1925 ( though not formally sanctioned until 1930 ) , surrealism began to find itself a prey to characteristic wranglings . These wranglings account very clearly for the expulsion- orders and ...
Pagina 70
... social action we should pursue . We con- sider that this action has its own method in dialectical materialism , and we can all the less afford to ignore this action since , I repeat , we hold the liberation of man to be the sine qua non ...
... social action we should pursue . We con- sider that this action has its own method in dialectical materialism , and we can all the less afford to ignore this action since , I repeat , we hold the liberation of man to be the sine qua non ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole