What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 22
... speak of God , to think of God is in every respect to give him his due , and when I say that , it is very certain that I do not make this idea mine , even in order to combat it . I have always wagered against God , and I regard the ...
... speak of God , to think of God is in every respect to give him his due , and when I say that , it is very certain that I do not make this idea mine , even in order to combat it . I have always wagered against God , and I regard the ...
Pagina 62
... speak of the sentence to follow , since it doubtless comes in for a share of our conscious activity and so the other sentences , if it is conceded that the writing of the first sentence must have involved even a minimum of consciousness ...
... speak of the sentence to follow , since it doubtless comes in for a share of our conscious activity and so the other sentences , if it is conceded that the writing of the first sentence must have involved even a minimum of consciousness ...
Pagina 66
... speak . I am looking forward to its consummation , certain that I shall never share in it , but death would matter little to me could I but taste the joy it will yield ultimately . " Aragon expressed himself in very much the same way in ...
... speak . I am looking forward to its consummation , certain that I shall never share in it , but death would matter little to me could I but taste the joy it will yield ultimately . " Aragon expressed himself in very much the same way in ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole