What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 65
... writing to action , there will certainly arise the need of a new morality to take the place of the current one , the cause of all our woes . " The Manifesto of Surrealism has improved on the Rim- baud principle that the poet must turn ...
... writing to action , there will certainly arise the need of a new morality to take the place of the current one , the cause of all our woes . " The Manifesto of Surrealism has improved on the Rim- baud principle that the poet must turn ...
Pagina 88
... poetic drama in which we are the actors . It is of particular interest that the author of Les Paris Sont ouverts has taken the opportunity of expressing himself from the “ historic ” point of view . His appreciation is as follows ...
... poetic drama in which we are the actors . It is of particular interest that the author of Les Paris Sont ouverts has taken the opportunity of expressing himself from the “ historic ” point of view . His appreciation is as follows ...
Pagina 88
... poetic drama in which we are the actors . It is of particular interest that the author of Les Paris Sont Ouverts has taken the opportunity of expressing himself from the " historic " point of view . His appreciation is as follows ...
... poetic drama in which we are the actors . It is of particular interest that the author of Les Paris Sont Ouverts has taken the opportunity of expressing himself from the " historic " point of view . His appreciation is as follows ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole