What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 22
... turn out so badly that death was about to stop him , he could hardly find strong enough terms - and he chose other pretexts - to attack those who were offering to give in . Braque already appeared to be one of them . I have not the same ...
... turn out so badly that death was about to stop him , he could hardly find strong enough terms - and he chose other pretexts - to attack those who were offering to give in . Braque already appeared to be one of them . I have not the same ...
Pagina 63
... turn until later ( Surrealism and Painting , 1928 ) .- I believe that the real interest of that book - there was no ... turn of thought which , for good or ill , is peculiarly distinctive of our time . The defence originally attempted of ...
... turn until later ( Surrealism and Painting , 1928 ) .- I believe that the real interest of that book - there was no ... turn of thought which , for good or ill , is peculiarly distinctive of our time . The defence originally attempted of ...
Pagina 66
... turn into a metaphysi- cal or mystic rope to be placed afterwards round our necks , lends itself no longer to misconstruction , nowhere does it declare itself opposed to the need of transforming the world which henceforth will more and ...
... turn into a metaphysi- cal or mystic rope to be placed afterwards round our necks , lends itself no longer to misconstruction , nowhere does it declare itself opposed to the need of transforming the world which henceforth will more and ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole