What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 58
... writing , feeling a praiseworthy contempt for whatever the literary result might be . Ease of achievement brought about the rest . By the end of the first day of the experiment we were able to read to one another about fifty pages ...
... writing , feeling a praiseworthy contempt for whatever the literary result might be . Ease of achievement brought about the rest . By the end of the first day of the experiment we were able to read to one another about fifty pages ...
Pagina 59
... writing them , these elements are , in appearance , as strange as to anyone else , and you are yourself naturally distrustful of them . Poetically speaking , they are distinguished chiefly by a very high degree of immediate absurdity ...
... writing them , these elements are , in appearance , as strange as to anyone else , and you are yourself naturally distrustful of them . Poetically speaking , they are distinguished chiefly by a very high degree of immediate absurdity ...
Pagina 62
... writing material to be brought to you . Let your state of mind be as passive and receptive as possible . Forget your genius , talents , as well as the genius and talents of others . Repeat to yourself that literature is pretty well the ...
... writing material to be brought to you . Let your state of mind be as passive and receptive as possible . Forget your genius , talents , as well as the genius and talents of others . Repeat to yourself that literature is pretty well the ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole