Nothing if not critical: selected essays on art and artists
Penguin Books, 1 feb. 1992 - 429 pagina's
The most controversial art critic in America--author of the bestselling The Fatal Shore and The Shock of the New--looks with love and loathing, wit and authority, at art and artists from the past to the present. Hughes evokes and defines the essences, works and worlds of a wide range of artists.
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The paintings behaved as they were expected to, whatever the verdict: they
doubled in price, and doubled again, so that by 1978 a large "prime" Rothko from
the fifties would routinely fetch anything between $150,000 and $250,000.
That is why Frank Lloyd could buy a Rothko for $18,000 and, two years later, offer
it to an acquaintance of mine in Paris, Minda de Gunz- burg, for $350,000: in art,
a fair price is what you think you can get. Every dealer observes this rule, ...
Rothko was murdered: "I wish you could publish," Martin informed ARTnews from
her remote fastness in the Southwest, "that I don't believe for a minute that Rothko
committed suicide. Nobody in that state of mind could. He was done in, ...
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LibraryThing ReviewGebruikersrecensie - philipjohn - LibraryThing
Robert Hughes must be one of the finest users of language at work in the field of art criticism. His comments, whether you agree with them or not, are always a joy to read. Volledige review lezen
Nothing if not critical: selected essays on art and artistsGebruikersrecensie - Not Available - Book Verdict
This collection brings together over 90 essays, many of which have already appeared in major journals. Hughes considers the Masters, 19th-century art and artists, the Modernist spirit, American and ... Volledige review lezen
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