Nothing if not critical: selected essays on art and artists
Penguin Books, 1 feb. 1992 - 429 pagina's
The most controversial art critic in America--author of the bestselling The Fatal Shore and The Shock of the New--looks with love and loathing, wit and authority, at art and artists from the past to the present. Hughes evokes and defines the essences, works and worlds of a wide range of artists.
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Early de Chiricos are full of such effects. Et quid amaho nisi quod aenigma est? ("
What shall I love if not the enigma?") — this question, inscribed by the young
artist on his self-portrait in 1911, is their subtext. Morbid, introspective and
Italian art dealers used to say the Maestro's bed was six feet off the ground, to
hold all the "early work" he kept "discovering" beneath it. In a spirit of pardonable
malice, Rubin reprints in the catalogue eighteen versions of The Disquieting ...
The Art Institute of Chicago refused to lend Excavation, 1950, the biggest and
most ambitious of de Kooning's biomorphic abstractions, while from the
celebrated Women series of the early fifties, those shark-grinning popsies before
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LibraryThing ReviewGebruikersrecensie - philipjohn - LibraryThing
Robert Hughes must be one of the finest users of language at work in the field of art criticism. His comments, whether you agree with them or not, are always a joy to read. Volledige review lezen
Nothing if not critical: selected essays on art and artistsGebruikersrecensie - Not Available - Book Verdict
This collection brings together over 90 essays, many of which have already appeared in major journals. Hughes considers the Masters, 19th-century art and artists, the Modernist spirit, American and ... Volledige review lezen
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