Nothing if not critical: selected essays on art and artists
Penguin Books, 1 feb. 1992 - 429 pagina's
The most controversial art critic in America--author of the bestselling The Fatal Shore and The Shock of the New--looks with love and loathing, wit and authority, at art and artists from the past to the present. Hughes evokes and defines the essences, works and worlds of a wide range of artists.
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It was a subject to which Degas brought special, almost fetishistic feeling, and a
later version of the same theme, The Coiffure, 1896, shows what a vehicle for
innovation it could be: by now the contours of the woman and her maid are
Marius was a self-made child of feeling, who had arranged his life so that ...
morality, Pater insisted — was art for art's sake, a distinterested precision of
feeling, a sense of minute discrimination elevated to the order of religion or
Nobody of intelligence in the art world believes the boom can go on forever.
There is a jittery feeling that we are heading for something like the slump that hit
the once dominant French art market in the fifties, in the decline of the Ecole de
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LibraryThing ReviewGebruikersrecensie - philipjohn - LibraryThing
Robert Hughes must be one of the finest users of language at work in the field of art criticism. His comments, whether you agree with them or not, are always a joy to read. Volledige review lezen
Nothing if not critical: selected essays on art and artistsGebruikersrecensie - Not Available - Book Verdict
This collection brings together over 90 essays, many of which have already appeared in major journals. Hughes considers the Masters, 19th-century art and artists, the Modernist spirit, American and ... Volledige review lezen
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