Nothing If Not Critical: Selected Essays on Art and Artists
Penguin Books, 1992 - 429 pagina's
From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present.
As art critic for Time magazine, internationally acclaimed for his study of modern art,The Shock of the New, he is perhaps America's most widely read and admired writer on art. In this book: nearly a hundred of his finest essays on the subject.
For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes—astute, vivid and uninhibited—on dozens of famous and not-so-famous artists. He observes that Caravaggio was “one of the hinges of art history; there was art before him and art after him, and they were not the same”; he remarks that Julian Schnabel's “work is to painting what Stallone's is to acting”; he calls John Constable'sWivenhoe Park “almost the last word on Eden-as-Property”; he notes how “distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.” He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic).
Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded. His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market—its inflated prices and reputations, its damage to the public domain of culture. There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate. And as a finale, Hughes gives us “The SoHoiad,” the mock-epic satire that so amused and annoyed the art world in the mid-1980s.
A meteor of a book that enlightens, startles, stimulates and entertains.
Resultaten 1-3 van 36
than its uninspired living ones ; most Roman painting in the early seventeenth
century was as sunk in affectation as the much - touted transavanguardia in the
early 1980s . But in the process they transformed Roman painting and added to
Living rocks and living plants and animals . Living dreams . . . to this I owe my
debt to our Armenian art . Its hybrids , its many opposites . The inventions of our
folk imagination . ” This strain of biological fantasy in Gorky was balanced by an ...
The second half of the nineteenth century was , for the art market , the great age
of the living painter — at least of some living painters . Agnew ' s , the London
dealers , paid 11 , 000 pounds for The Shadow of Deatb , by the Pre - Raphaelite
Wat mensen zeggen - Een review schrijven
Nothing if not critical: selected essays on art and artistsGebruikersrecensie - Not Available - Book Verdict
This collection brings together over 90 essays, many of which have already appeared in major journals. Hughes considers the Masters, 19th-century art and artists, the Modernist spirit, American and ... Volledige review lezen
8 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
The Theory of Architecture: Concepts Themes & Practices
Gedeeltelijke weergave - 1994
Eakins Revealed: The Secret Life of an American Artist
Gedeeltelijke weergave - 2005