Nothing if not critical: selected essays on art and artists
Penguin Books, 1 feb. 1992 - 429 pagina's
The most controversial art critic in America--author of the bestselling The Fatal Shore and The Shock of the New--looks with love and loathing, wit and authority, at art and artists from the past to the present. Hughes evokes and defines the essences, works and worlds of a wide range of artists.
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With their elegant abstractions and syncopations of form, such paintings look
back to the high decorative art of the Edo period, to Ogata Korin or Suzuki Kiitsu;
but they also look forward, in their indeterminacy, to Monet's water lilies at
Hey, look! you hear the nasal voice of the artist saying: This is what the banks of
the electronic Mississippi look like as they glide by. Here is a succession of odd
dreams, bigger than life: a red fingernail the size of a mudguard, a slough of ...
The density of the paint — which is such that the smaller canvases look like
irregular plaques of pigment — is never opaque. It contains streaks and
underglows of light, akin to the suppressed radiance in Rembrandt's mid-tones.
And there is ...
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LibraryThing ReviewGebruikersrecensie - philipjohn - LibraryThing
Robert Hughes must be one of the finest users of language at work in the field of art criticism. His comments, whether you agree with them or not, are always a joy to read. Volledige review lezen
Nothing if not critical: selected essays on art and artistsGebruikersrecensie - Not Available - Book Verdict
This collection brings together over 90 essays, many of which have already appeared in major journals. Hughes considers the Masters, 19th-century art and artists, the Modernist spirit, American and ... Volledige review lezen
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