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Pagina 50
The saw leaves no trace of cut marks behind; it splits the nut, which looks like an
eye, and thus anticipates the opening sequence of Bunuel's film Un Men andalou
(1928). When Eluard visited Max Ernst in Cologne in 1921, he bought The ...
The saw leaves no trace of cut marks behind; it splits the nut, which looks like an
eye, and thus anticipates the opening sequence of Bunuel's film Un Men andalou
(1928). When Eluard visited Max Ernst in Cologne in 1921, he bought The ...
Pagina 86
153 Max Ernst in L' Age d'Or, film by Luis Bunuel, 1930 154 Max Ernst, 1934,
photograph by Man Ray 155 The Blessed Virgin Chastises the Infant Jesus
Before Three Witnesses: A.B., P.E. and the Artist 1926 «7 Surrealism 89
Weightlessness ...
153 Max Ernst in L' Age d'Or, film by Luis Bunuel, 1930 154 Max Ernst, 1934,
photograph by Man Ray 155 The Blessed Virgin Chastises the Infant Jesus
Before Three Witnesses: A.B., P.E. and the Artist 1926 «7 Surrealism 89
Weightlessness ...
Pagina 126
Reading clockwise from top left: Maxime Alexandre, Aragon, Breton, Bunuel,
Jean Caupenne, Eluard, Marcel Fourrier, Magritte, Albert Valentin, Andre Thirion,
Tanguy, Georges Sadoul, Paul Nouge, Camille Goemans, Max Ernst and Dali.
Reading clockwise from top left: Maxime Alexandre, Aragon, Breton, Bunuel,
Jean Caupenne, Eluard, Marcel Fourrier, Magritte, Albert Valentin, Andre Thirion,
Tanguy, Georges Sadoul, Paul Nouge, Camille Goemans, Max Ernst and Dali.
Wat mensen zeggen - Een review schrijven
Max Ernst: a retrospective
Gebruikersrecensie - Not Available - Book VerdictDistinguished scholar Spies, previously of the Centre Georges Pompidou in Paris, and Rewald, curator at New York's Metropolitan Museum of Art (MMA), here present an exhibition catalog for the recent ... Volledige review lezen
Max Ernst: a retrospective
Gebruikersrecensie - Not Available - Book VerdictThis is the catalog of a centennial retrospective of Ernst's work held at London's Tate Gallery and in Germany. Spies, the leading Ernst scholar, delivers a dense but accessible introduction to the ... Volledige review lezen
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
Angel of Hearth appeared Aragon artistic automatism Baargeld Benjamin Péret Berlin bird Breton Bride Bunuel's canvas Chirico collage collage novel Cologne colour creative Cubists Dada Dadaists Dadamax Dali decalcomania Dorothea Tanning drawing dream elements Fair Gardener father Femme 100 tetes Fiat Modes figures film Fishbone Fishbone Forest Forest and Sun forest pictures found objects frottage Giacometti Grosz head Hearth and Home Hordes Huelsenbeck human illustrations Interior of Sight later Loplop Loplop Introduces Loplop series Magritte Marcel Duchamp Masson material Max Ernst Maximiliana metamorphosis Miro Monument motifs movement painter Paintings for Young Paris Paul Eluard period photocollage photograph Picabia Picasso pictorial form play poems psychic reality relationship reliefs Rubbing from type Schammade Schwitters sculpture Sedona semaine de bonti series of pictures Shell Flowers Surrealism Surrealist Manifesto Tanguy technique Tempel theme tion Tristan Tzara Tyrol visions visual Werner Spies Woman York Zurich
Bibliografische gegevens
| Titel | Max Ernst Books that matter Praeger world of art profile |
| Auteurs | Uwe M. Schneede, Max Ernst |
| Uitgever | Praeger, 1973 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 30 nov 2009 |
| Lengte | 216 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |