Cambridge University Press, 18 apr. 1996 - 297 pagina's
This new edition focuses on the Sonnets as poetry - sometimes strikingly individual poems, but often subtly interlinked in thematic, imagistic and other groupings. Gwynne Evans and Anthony Hecht also address the many questions that cast a veil of mystery over the genesis of the Sonnets: to what extent are they autobiographical? What is the nature of the 'love', strongly expressed, between the 'poet', the 'youth' and the 'Dark Lady'? Can they, apart from the poet, be Identified? Who is the 'rival poet'? When were the Sonnets written and in what order? What were the circumstances surrounding their publication?
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accepted appear bear beauty become beloved Benson better body Book Booth Capell carry collation common Compare conj considered continues contrast critics Dark death described desire doth edited editors Elizabethan example expressed eyes face fair false faults favour feeling figure fortune Gildon give hand hath headnote heart implied Ingram and Redpath Kerrigan kind linked live looks love's lover Malone meaning metaphor mind mistress Muse nature never night notes Passionate perhaps person phrase physical play poem poet poet's pointing possible praise present probably reading reason reference retained rhyme Rollins rose seems sense sexual Shakespeare sight Sonnet soul spirit suggests sweet taken thee theme thine things thou thought Time's true truth turn variant form verse worth youth
Masculine Desire: The Sexual Politics of Victorian Aestheticism
Gedeeltelijke weergave - 1990
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